bio

Born 1947, Waterbury, Connecticut

Lives and works in New York, NY

Solo Exhibitions

2017 “Nancy Haynes paintings: to the poets,” Galerie Hubert Winter, Vienna, Austria

“Nancy Haynes: this painting,” Regina Rex Gallery, New York, NY

2015 four paintings”, George Lawson Gallery, San Francisco, CA

“anomalies and non sequiturs”, Regina Rex Gallery, NY

2012-13 “the painting undressed –

selections from the autobiographical color chart series”, 3A Gallery, NY

2012 George Lawson Gallery, LA

2010 George Lawson Gallery, San Francisco, CA

2009 “dissolution,” Elizabeth Harris Gallery, New York, NY

2006 Galerie Hubert Winter, Vienna, Austria

2002 Galerie Hubert Winter, Vienna, Austria

2000 “Between Two Appearances,” Stark Gallery, New York

1998 Galerie von Bartha, Basel, Switzerland

Galerie Hubert Winter, Vienna, Austria

“Monotypes”, Galerie Mathias Kampl, Munich, Germany

Lawing Gallery, Houston, TX

1995 "Endgame, Brain Coral," Lawing Gallery, Houston, TX

Monotypes, Pamela Auchincloss Gallery, New York, NY

1993 John Good Gallery, New York, NY

1992 The Chrysler Museum of Art, Norfolk, VA

1991 "The Lacuna of Certainty," The Long Beach Museum of Art, Long Beach, CA

John Good Gallery, New York, NY

Genovese Annex, Boston, MA

1990 John Good Gallery, New York, NY

“Monotypes,” Pamela Auchincloss Gallery, New York, NY

1989 John Good Gallery, New York, NY

1987 Julian Pretto Gallery, New York, NY

1986 John Gibson Gallery, New York, NY

1985 John Gibson Gallery, New York, NY

Plus-Kern Gallery, Brussels, Belgium

Haags Gemeentemuseum, The Hague, Holland

1984 P.S. 1 Project Room, Long Island City, NY

1983 David Bellman Gallery, Toronto, Canada

1981 David Bellman Gallery, Toronto, Canada

Selected Group Exhibitions

2015 “Group Exhibition: Abstraction: A Visual Language,”

Rona Hoffman Gallery, Chicago, IL

“Nada Art Fair, NY,” group exhibit with Regina Rex Gallery

2014 “New York Women,” G Gallery, Houston Tx, curated by Barbara MacAdam

2013 “selected gallery artists”, George Lawson Gallery, San Francisco, CA

“Julian Pretto Gallery”, curated by John Zinsser, Minus Space, Brooklyn, NY

“Come Together Surviving Sandy, Year 1“, curated by Phong Bui, Industry City, Brooklyn, NY

“Abstraction and Empathy” Five Myles Gallery, Brooklyn, NY

“sideshow nation”, Sideshow Gallery, Brooklyn, NY

“Art Cart – Saving the Legacy”, curated by Pamela Tinnen, Kimmel Gallery, New York

University, NY

“Nada Art Fair, NY” solo booth with Regina Rex Gallery, NY

2012 “Cool, Calm, Collected”, Danese Gallery, New York

“Letters Not About Love: EJ Hauser, Nancy Haynes and Sarah Peters”,

Regina Rex Gallery,Bushwick, Brooklyn, New York, curated by Yevgeniya Baras

“art=text=art: works by contemporary artists,” Zimmerli Art Museum, Rutgers University,

New Brunswick, New Jersey, curated by N. Elizabeth Schlatter and Rachel Nachman

"MIC; CHECK", group exhibition, Sideshow Gallery, Brooklyn, NY

2011 Art=Text=Art: Works by Contemporary Artists, Joel & Lila Harnett,Museum of Art,

University of Richmond Museums, Virginia

"it's all good!! apocalypse now", group exhibition, Sideshow Gallery, Brooklyn, NY

2010 New York, encore selections from gallery artists, George Lawson Gallery, San Francisco, CA

2009 the viewing room, Lesley Heller Gallery, NY

2008 Lesley Heller Gallery, New York, NY

2008 Dimensions in Nature: New Acquisitions, 2006-2008, San Diego Museum of Art, San Diego, CA

organized by Betti-Sue Hertz and Erica Overskei

2007 Written on the Wind: The Flag Project, Rubin Museum, New York

“Monumental Drawings,” Blue Star Contemporary Art Center, San Antonio, TX, curated by Barbara

MacAdam

2006 “Faith,” Real Art Ways, Hartford, Connecticut, curated by James Hyde

“The Independents,” curated by Judith Selkowitz, 499 park avenue, NY

2005 "The Mark of Minimalism: Gifts of Work on Paper from Sarah-Ann and Werner Kramarsky," Hood

Museum of Art, Dartmouth College, NH

"Fine Lines from the collection of Wynn Kramarsky," Santa Barbara Contemporary Arts Forum, Santa

Barbara, CA

2004 “The Invisible Thread: Buddhist Spirit in Contemporary Art,” Newhouse Center for Contemporary Art,

Snug Harbor Cultural Center, Staten Island, N.Y., curated by Robyn Brentano, Olivia Georgia, Roger

Lipsky, and Lilly Wei

“Priority,” Art in General Gallery, N.Y., benefit

“Flag Project,” Rubin Museum of Himalayan Art, N.Y., curated by Arlene Shechet and Kiki Smith

“Art for a Landmine Free World,” PaceWildenstein Gallery, N.Y., curated by Kiki Smith

2002/03 "Drawings of Choice from a New York Collection," Krannert Art Museum, University of Illinois,

Champaign-Urbana, IL traveled to: The Arkansas Arts Center, Little Rock, AR; Georgia Museum of Art,

University of Georgia, Athens, GA; Bowdoin College Museum of Art, Brunswick, ME; Cincinnati

Museum of Art, Cincinnati, OH.

2003 “Of Collage: The Artist as Collector, The John A. Schweitzer Collection,” Stewart Hall Art Gallery,

Pointe-Claire, Quebec, Canada

“Selections from the Permanent Collection,” Museum of Contemporary Art, North Miami, Florida

2002 “Made in Brooklyn,” S.Cono Pizzeria, Brooklyn, N.Y., curated by Chris Martin and Nellie Appleby

“Recent Acquisitions,” Museum of Fine Arts, Houston, Texas

“Glow: Aspects of Light in Contemporary American Art,” curated by: Francis Colpitt, Artpace, San Antonio,

TX, traveled to: The University of Texas at San Antonio Art Gallery, The Jones Center for
Contemporary Art, Austin, Texas, University of North Texas Art Gallery, Denton, Texas

2001 “Abstraction and Immanence,” Times Square Gallery, Hunter College, New York; curated by Laura Sue

Phillips and Vincent Longo

“Fifteen Years of Painting,” Stark Gallery, N.Y.

“Cinema Studies,” Lucas Schoormans Gallery, N.Y., curated by Aruna D’Souza

“Monochrome/Monochrome?” Florence Lynch Gallery, N.Y., curated by Lilly Wei

2000 “Not Seeing,” Lawing Gallery, Houston, TX

“trans-luzid,” Galerie Eugen Lendl, Graz, Austria; curated by Klaus Dieter Zimmer

“Five Masterpieces” Galerie Von Bartha, Basel, Switzerland

“A Decade of Collecting, Recent Acquisitions of Prints and Drawings,” Arthur M. Sackler Museum,

Harvard University Art Museums, Cambridge, MA

1999 “Then & Now,” The Work Space, New York; curated by Theresa Chong

1998 “A Common Thread,” Littlejohn Contemporary, New York, NY

“Large Scale Drawings from the Collection of Wynn Kramarsky,” Aldrich Museum of Contemporary

Art, Ridgefield, CT

1997/01 “Drawing is another kind of language, Recent American Drawings from a New York Private

Collection,” Harvard University Art Musueums, Cambridge, MA, Kunstmuseum Winterthur, Kunst-

Museum Ahlen, Akademieder Kunste, Berlin, Fonds regional d’art contemporain de Picardie and

Musee de Picardie, Amiens, Parrish Art Museum, Southampton, NY, Lyman Allyn Art Museum,

New London, CT,

Mary and Leigh Block Museum of Art, Northwestern University, Evanston, IL, The Contemporary

Museum, Honolulu, HI, curated by James Cuno

1997 “Abstraction Index,” Condeso/Lawler Gallery, New York, NY

“After the Fall: Aspects of Abstract Painting since 1970,” Newhouse Center for Contemporary Art, Snug

Harbor Cultural Center, Staten Island, NY, curated by Lilly Wei

1996 "Art Show," Ryall/Porter Architects, New York, NY, curated by Ted Porter

"Colorfield to New Abstraction," Rose Art Museum, Brandeis University, Waltham, MA

"Formal Abstraction / New York," Ruth Bachofner Gallery, Santa Monica, CA, curated by Robert

Kingston

"In Black & White," Numark Gallery, Washington, DC

"Silence," Lawing Gallery, Houston, TX

“The Julian Pretto Collection,” Wadsworth Atheneum, Hartford, CN

"Ronald Bladen, Nancy Haynes and Olivier Mosset," John Gibson Gallery, New York, NY

1995/96 "Printmaking in America--Collaborative Prints and Presses 1960- 1990," The Jane

Voorhees Zimmerli Art Museum, Rutgers, New Brunswick, NJ, Mary and Leigh Block

Gallery, Northwestern University, Evanston, IL, National Museum of American Art,

Smithsonian Institute, Washington, DC

1995 "Alchemy," Proctor Art Center, Bard College, Annandale-on Hudson, NY, curated by Harvey

Quaytman

"Changing Perspectives," Contemporary Arts Museum, Houston, TX

"Abstraction from Two Coasts," Lawing Gallery, Houston, TX

"Four Generations," Woodbury University, Glendale, CA, curated by Jeremy Gilbert-Rolfe

"Group Exhibition," Pamela Auchincloss Gallery, New York, NY

"Julian's Show," Littlejohn Contemporary, New York, NY, curated by Julian Pretto

"New York Abstract," Contemporary Arts Center, New Orleans, LA

"Abstract Painting," Christinerose Gallery, New York, NY, curated by Pat Steir

1994 "Paint," The Rotunda Gallery, Brooklyn, NY

"Contemporary Abstract Painting," Grant Gallery, Denver, CO, Tavelli Gallery, Aspen, CO

"Fall Group Exhibition," John Good Gallery, New York, NY

"Visiting Artistry," Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA

"Prints of Darkness," Fogg Art Museum, Harvard University, Cambridge, MA

"Some Like it Cool," Barbara Krakow Gallery, Boston, MA

1993 "Drawings From 55 Ferris Street," Jessica Berwind Gallery, Philadelphia, PA, curated by

Frederieke S. Taylor

"Summer Group Exhibition," John Good Gallery, New York, NY

"Single Frame," John Good Gallery, New York, NY

"Silent Echoes," Tennisport Arts, Long Island City, New York, curated by Christian Haub

"Abstrategies," Dunedin Fine Arts and Cultural Center, Tampa, FL, curated by Genevieve Linnehan

1992 "Singular and Plural: Recent Accessions, Drawings & Prints 1945-1991," The Museum of Fine Arts,

Houston, TX, curated by Barry Walker

"Summer Becomes Eclectic," Mars Gallery, Tokyo, Japan

"Contemporary Surfaces," Pamela Auchincloss Gallery, New York, NY, curated by Rick Ward

"55 Ferris Street Show," 55 Ferris Street, Brooklyn, NY, curated by Frederieke S. Taylor

"Eighties," John Gibson Gallery, New York, NY

"The Clearobscure," Genovese Graphics Annex, Boston, MA

"Essential Gestures," Pamela Auchincloss Gallery, New York, NY

"Nancy Haynes, Mike Metz, Thomas Nozkowski, and Joyce Robins," 55 Mercer Gallery, New York, NY

"Group Exhibition," Galleria Plurima, Milan, Italy

1991 "American Abstraction at the Addison," Addison Gallery of American Art, Phillips Academy,

Andover, MA

"La Metafisica Della Luce," John Good Gallery, New York, NY, curated by Demetrio Paparoni

"Synthesis," John Good Gallery, New York, NY, Tavelli Gallery, Aspen, CO

"Drawing Exhibition," Stark Gallery, New York, NY

"Monotypes from the Garner Tullis Workshop," Thomas Segal Gallery, Boston, MA

"Works on Paper," John Good Gallery, New York, NY

"The Fetish of Knowledge," Real Art Ways, Hartford, CT, AC Project Room, New York, NY,

curated by James Hyde

"Monotypes," Galleria Plurima, Milan, Italy

1990 "Artists for Amnesty," Blum Helman Gallery, New York, NY

"A Question of Paint," Hallwalls Contemporary Art Center, Buffalo, NY

"Act-Up Auction for Action Aids Benefit Exhibition," Paula Cooper Gallery, New York, NY

"Unique Works on Paper," Memorial Art Gallery, University of Rochester, Rochester, NY,

curated by Werner H, Kramarsky

"Contemporary Fresco," Stark Gallery, New York, NY

"Provocative Abstraction: New Painting New York," Karl Bornstein Gallery, Santa Monica, CA

"Group Exhibition," Stark Gallery, New York, NY

"Homage to the Square," Nohra Haime, New York, NY

1989 "The Dark Sublime: Art at the End of Our Century," Scott Alan Gallery, New York, NY

"American Abstract Artists," 55 Mercer Gallery, New York, NY

"Expressive Geometries," Thomas Segal Gallery, Boston, MA

"Post-Modern Painters," John Good Gallery, New York, NY

"Fundamental Abstraction," Haines Gallery, San Francisco, CA

"Methods of Abstraction," Gallery Urban, New York, NY

"The Mirror in which Two are Seen as One," Jersey City Museum, Jersey City, NJ

"Nonrepresentation: The Show of the Essay," Anne Plumb Gallery, New York, NY, curated by

Jeremy Gilbert-Rolfe

"Abstraction and Image: Drawing Within," Leubsdorf Gallery, Hunter College, New York, NY

"Slate," E.L. Stark Gallery, New York, NY

1988/89 "New York Now," Esbo Museum of Art, Finland & Norrkopings Konstmuseum,Goteborgs

Museum, Sunsvalls Museum, Sodertalje Konsthall, Sweden

"The Presence of Abstraction," University Art Museum, Santa Barbara,CA; Block Art Gallery,

Northwestern University, Chicago, IL; Desaisset Museum, Santa Clara, CA, curated by Phyllis

Plous

1988 "Real Abstract," John Good Gallery, New York, NY

"The Gold Show," Genovese Graphics, Boston, MA

"Nancy Haynes, Donald Judd, Carole Seborovski," John Good Gallery, New York, NY

"Out of Order," Anne Plumb Gallery, New York, NY, curated by Christian Haub

"Formal," The Dart Gallery, Chicago, IL

"The New Generation," Elaine Benson Gallery, Bridgehampton, NY, curated by Werner H.

Kramarsky

"Black in the Light," Genovese Graphics, Boston, MA

"Group Exhibition," Plus-Kern Gallery, Brussels, Belgium

1987 "Lieu," Project D'Exposition, Liege, Belgium

"Black," Eric Siegeltuch Gallery, New York, NY

"Rigor," John Good Gallery, New York, NY curated by Stephen Westfall

"Abstract Painting," Asher-Faure Gallery, Los Angeles, CA

“Plus-Kern ’69-’86,” Museum van Hedendaagse Kunst, Ghent, Belgium

"American Abstract Artists," New York Cultural Center, New York, NY

"Group Exhibition," John Gibson Gallery, New York, NY

1986 "Plus-Kern Gallery: Ten Years," Vereniging Museum, Hedenaagse Kunst, Ghent, Belgium

"Geometry Now," Craig Cornelius Gallery, New York, NY, curated by Ruth Kaufmann

"Group Exhibition," Angles Gallery, Los Angeles, CA

"Group Exhibition," Kingsboro Community College, New York, NY, curated by Lilly Wei

1985 "Sculpture Center Group Exhibition," Ben Shahn Gallery, William Patterson College, New Jersey

"Abstract Issues," Oscarsson Hood Gallery, New York, NY, curated by Steven Henry Madoff

"Group Exhibition," The Sculpture Center, New York, NY

1983 Benefit, A.I.R. Gallery, New York, NY

"Group Exhibition," Jourdan Arpelle Gallery, New York, NY

"Artists Choose Artists," CDS Gallery, New York, NY

1982 "Crucifix Show," Barbara Gladstone Gallery, New York, NY

Benefit, A.I.R. Gallery, New York, NY

"The First Ten Years of Collecting," The Chase Manhattan Bank, New York, The High

Museum of Art, Atlanta, GA

"Recent Acquisitions," Haags Gemeentsmuseum, The Hague, Holland

1981 Benefit, A.I.R. Gallery, New York, NY

"Group Exhibition," Julian Pretto, Weehawken, New Jersey

"Gallery Artists," David Bellman Gallery, Toronto, Canada

"Heresies," Grey Art Gallery, New York University, New York, NY

"June Fever," Susan Caldwell Gallery, New York, NY

1980 "Inaugural Exhibition," David Bellman Gallery, Toronto, Canada

"In the Spirit of Constructivism," Janus Gallery, Los Angeles, CA

"Group Exhibition," Susan Caldwell Gallery, New York, NY

1978 “Group Exhibition,” The Hundred Dollar Gallery, New York, NY, curated by Poppy Johnson

Selected Bibliography (incomplete)

2004 “Art for a Landmine Free World,” Silent Auction, PaceWildenstein, October 2004, illustration

2002 Alfred MacAdam, “Nancy Haynes – Illusion and Absence - Paintings: exhibition catalogue,

Galerie Hubert Winter, May – June

2001 Art Omni International, “Francis J. Greenburger Awards/2001,” Lilly Wei on Nancy Haynes, illustration

2000 Wei, Lilly, “Nancy Haynes at Stark Gallery,” Artnews, June

McDonough, Tom, “Nancy Haynes at Stark Gallery,” Art in America, October

1999 Ebert, Hitrud, “Schone ote Spreache,” Made in USA, Freitag 12, March

MacAdam, Barbara, “Something to Glow On,” Artnews, Summer

Weidle, Barbara, “Letter from Barbara,” Artnet.com, Summer

1998 Jeremy Gilbert-Rolfe, “Endspace: From a real to an absolute – Nancy Haynes’ paintings 1974 – 1998,”

Edition Fondation Leschot, Bern, Switzerland

1997 Petry, Michael. Art & Design – “A Thing of Beauty is... “, Profile No. 54, page 13, illustration

Worth, Alexi. “After the Fall - Aspects of Abstract Painting since 1970,” Artnews, October.

“After the Fall - Aspects of Abstract Painting since 1970,” exhibition catalogue, Newhouse Center of

Contemporary Art, Snug Harbor Cultural Center, Staten Island, NY, curated by Lilly Wei, illustration

1996 Castle, Frederick, Ted. “Ronald Bladen, Nancy Haynes and Olivier Mosset,” Review,

AprFrank, Peter. ArtScene, April.

Gilbert-Rolfe, Jeremy. Art & Design . “Cabbages, Raspberries and Video's Thin Brightness, -

Painting in the Age of Artificial Intelligence,” Profile No. 48 (May/June), pages 14-23, illustration

Protzman, Ferdinand, “Minimalists with Maximum Skill,” The Washington Post, June 8.

1995 Gilbert-Rolfe , Jeremy. “IIII Generations,” exhibition catalogue, Woodbury University Art

Gallery, Burbank, illustration

Lew Thomas. “New York Abstract,” Contemporary Arts Center. exhibition catalogue,

New Orleans, illustration

Yau, John. “Out of the Cul de Sac and into the Fire,” exhibition catalogue for Abstraction from

Two Coasts, Lawing Gallery, March, illustration

1994 MacAdam, Barbara. “Nancy Haynes,” Artnews, January, Page 160

Wilson Lloyd, Ann. “Nancy Haynes,” Art in America , May

1993 Arts & Antiques, Openings. October, Page 24, illustration

Tema Celeste, “ Nancy Haynes,” Winter, Number 39

Welish, Marjorie. “A Literature of Silence,” exhibition catalog for the John Good Gallery, September

1992 Aporetical Incident. Tema Celeste, April - May, illustration

Barnes, Curt. “Travels Along the Dialectic: Hit-and-Run Observations on Interdimensionality,”

College Art Association

Carrier, David. “Afterlight: Exhibition Abstract Painting in the Era of Its Belatedness,” Arts, March

Clark, Trinkett “Parameters: Nancy Haynes,” exhibition publication, The Chrysler Museum,

Norfolk, VA, April - June

Handy, Ellen. “Nancy Haynes: New York in Review,” Arts, January, Page 75

McGreevy, Linda. “Opposing Views,” Port Folio, Page 27

“Abstraction as,” illustration, Tema Celeste

Pardee, Hearne. “Nancy Haynes,” Artnews, January, Page 129, illustration

Taylor, Frederieke. “55 Ferris Street,” exhibition catalog, May, New York, NY

Welish, Marjorie. “Abstraction, Advocacy of,” Tema Celeste January - March, Page 94-95

1991 Art Journal, Spring, Volume 50, Number 1, Page 30, illustration

Litterfield, Kinney. “Filling the Primal Paradoxes ,” Press-Telegram, Long Beach, Sunday,

December 8, Page J6, illustration

Reynolds, Jock. “American Abstraction At The Addison,” Exhibition Catalog for the

Addison Gallery of American Art, Phillips Academy, Page 64, illustration

1990 Brenson, Michael. “Nancy Haynes,” The New York Times, May 18

Carrier, David. “Extending the Language of Abstraction,” Art International, Autumn, Page 61

Enders, Alexandra. “Space Shapers: Contemporary Artists Structure Their

Past and Document the Present,” Art & Antiques, May, Page 51, illustration

New Observations, No. 73, January - February, Page 17, illustration

1989 Baker, Kenneth. “Abstract Jestures,” Artforum, , September, Page 134-38, illustration

Baker, Kenneth. San Francisco Chronicle, June 24

Fine, Amy and Collins, Bradley Jr.” Nancy Haynes at John Good,” Art in America, March, Page 147,

illustration

Galligan, Gregory. “Rescripting The Sublime ,” Art International, Summer, Pages 56-58, illustration

Gilbert-Rolfe,Jeremy. The Current State of Nonrepresentation, Vision Arts Quarterly, Spring,

Pages 3-7, illustration

Gilbert-Rolfe, Jeremy. “Nancy Haynes,” April

Smith, Roberta. “The East Village's Art Galleries are Alive in SoHo,” The New York Times, January

27, Page 19

Zimmer, William. “The Poetic and the Visual,” The New York Times, April 2, Page 22

Zimmer, William, “Nancy Haynes,” Artnews

1988 “A Debate on Abstraction,” catalog for Leubsdorf Art Gallery, Hunter College, New York, NY,

December

Braff, Phillis. “New Generation Shows Its Colors,” The New York Times, May 22, Page 26

Cyphers, Peggy. “Nancy Haynes,”Arts, September, Pages 101-102, illustration

“Formal,” catalog for Dart Gallery, Chicago, IL, November

Gilbert-Rolfe,Jeremy. “Nonrepresentation in 1988: Meaning-Production Beyond the

Scope of the Pious,” Arts, May, Page 33, illustration

“New York Now,” Catalog for Norrkopings Konstmuseum, Sweden, November

Ramael, Greet. Knack, review, Belgium, January 27

Spector, Nancy. “Rigor,” Artscribe, January - February, Pages 68-69

1987 Van Den Abeele, Lieven. De Standaard, review, Belgium, January 23

Wei, Lilly. “Talking Abstract: Part Two,” Art in America, December, , Pages 118-119

1986 Raynor, Vivian. “Geometry Now,” The New York Times, October 3

Silverthorne ,Jeanne. “Nancy Haynes,” Artforum, review, November

1985 Austin, Charles. NYB, January, illustration

Bell, Jane. Artnews, September

Bool, Flip. Museumjounal, (The Hague, Holland)

Brenson ,Michael. “Nancy Haynes,” The New York Times, January 18

1985 Minne, Florent. De Standaard, Brussels, Belgium, May 6

Peters, Philip. De Tijd, (The Hague, Holland), April 26

Pulchri (museum publication), Haags Gemeentemuseum, March

VanSanten, Ingrid. Het Binnenhut, The Hague, Holland, March 30

Watkins, Eileen. Star Ledger, New Jersey. April 14

Westfall, Stephen. “Nancy Haynes at John Gibson,” Art in America, November

Zimmer, William. The New York Times, April 2

1984 “1984 Winter,” Catalog for P.S. 1, January, illustration

Saxon, Erik. “Appearances,” No. 10, Winter Issue, illustration

1983 Brooks, Valerie F. Arts Extra, WBAI-FM Radio, June 24

Flam,Jack. Artists Choose Artists, June

Glueck, Grace. The New York Times, December 10

Mays, John Bentley The Globe and the Mail, January 14

Mays, John Bentley. The Globe and the Mail, February 26

Pulchri, Haags. Gemeentemuseum, The Hague, Holland, January

Russell, John. The New York Times, June 10

Awards

1995 Pollock- Krasner Foundation

1990 National Endowment for the Arts

1987 New York Foundation for the Arts

National Endowment for the Arts

Teaching and Visiting Artist

2000 Visiting Lecturer, Princeton University, Princeton, NJ

2000 Visiting Artist, Kent State University, Kent, OH

2000 Visiting Artist, Ohio State University, Columbus, OH

1995 Visiting Artist, Ringling School of Art and Design, Sarasota, FL

1994 Visiting Artist, Carpenter Center for the Visual Arts, Harvard

University, Cambridge, MA

1992 Lecturer, The Carpenter Center, Harvard University, Cambridge, MA

1986-89 Adjunct Lecturer, Hunter College, New York, NY

1988/89 Saltzman Visiting Artists Lecture Series, Brandeis University, Waltham, MA

Selected Books

Hyde, James. “Faith,” Real Art Ways, Hartford, CN (2005)

“Blasser Schimmer/A Pale Gleam,” (Monstudio Collection Catalogue 2002), illustration, page 266

Accame, Giovanni Maria, “Abstract Figures/Figure astratte,” (published by Campisano Editore Srl 2001),

illustrations pg.156, 157, 251

Welish, Marjorie, “Signifying ART,” (Cambridge University Press 1999).

Pamela Lee, Christine Mehring, James Cuno, Dieter Schwartz, “Drawing is another kind of language:

Recent American Drawings from a New York Private Collection,” (Harvard University Art Museums,

Cambridge, MA, 1997)

Trudy V. Hansen, David Mickenberg, Joann Moser & Barry Walker, “Printmaking in America, “

(Harry Abrams, Incorporated in association with Mary & Leigh Block Gallery, Northwestern University 1995)

Jeremy Gilbert-Rolfe, “Beyond Piety: Critical Essays on the Visual Arts, 1986-1993,” (Cambridge

University Press 1995).

Charles A. Riley, II, “Color Codes: Modern Theories of Color in Philosophy, Painting and Architecture,

Literature, Music and Psychology,” (University Press of New England 1995).

Charles A. Riley, II, “The Saints of Modern Art : The Ascetic Ideal in Contemporary Painting, Sculpture,

Architecture, Music, Dance, Literature, and Philosophy,” (University Press of New England, 1998)

Public Collections

The Metropolitan Museum of Art, New York, NY

The Museum of Modern Art, New York, NY

The Whitney Museum of American Art, New York, NY

The Brooklyn Museum, Brooklyn, NY

The Hood Museum, Dartmouth, NH

The Addison Gallery of American Art, Phillips Academy, Andover, MA

The Denver Art Museum, Denver, CO

Haags Gemeentemuseum, The Hague, Holland

The National Gallery of Art, Washington, D.C.

The Museum of Fine Arts, Houston, TX

The Ackland Museum, Chapel Hill, North Carolina

The Chrysler Museum of Art, Norfolk, VA

The Rose Art Museum, Brandeis University, Waltham, MA

The Fogg Art Museum, Harvard University, Cambridge, MA

Wadsworth Atheneum, Hartford, CN

The Grunwald Center for the Graphic Arts, UCLA, Los Angeles, CA

The Albertina Museum, Vienna, Austria

University Art Museum, University of California, Santa Barbara, CA

The Arkansas Art Center, Little Rock, Arkansas

Yale Museum of Art, New Haven, CT

The San Diego Museum of Art, San Diego, CA

The Davis Museum and Cultural Center, Wellesley College, Wellesley, MA

The Pollock Gallery, Southern Methodist University, Dallas, TX

The UCLA Hammer Museum, Los Angeles, CA

The Baltimore Museum of Art, Baltimore, MD

The Birmingham Museum of Art, Birmingham, AL